
I tried to give the thing away, until he cut it and made it popular. No one heard that first version I made of it. If you listen to Eric Clapton's record, what he did was imitate that. But that was the original "After Midnight", and that is what Clapton heard. The history on that deal was, the original "After Midnight" I recorded was on Liberty Records on a 45-rpm, and it was fast. The Oklahoma Troubadour explained in 2004: Then Audie hired some musicians and a real studio, and we cut the other eight songs on Naturally." The album showcased Cale's distinctive, understated style, and it successfully established his solo recording career, which continued until his death in 2013.Ĭale's version of "After Midnight" differs greatly from Clapton's frenetic version, which is itself based on Cale's own arrangement.
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So I cut 'Crazy Mama' and 'Call Me The Breeze', and Carl Radle came in and played bass, and Mac Gayden played slide on 'Crazy Mama'. I didn't use a real drummer because I had no money. Cale explained to Dan Forte of Vintage Guitar in 2004, "When we did the first album, most people didn't realize that was an electric drum machine – or that there even was such a thing. Some songs, such as " Call Me the Breeze", were recorded with primitive drum machine accompaniment and sound almost like demos. The ingredients that went into that project, with subtle drum rhythms, murky vocals sung in a narrow range, and a guitar style that merged country, blues and jazz, established the template for the "Tulsa sound". Naturally was recorded independently, "on spec," the musicians being paid demo fees.
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It was nice to make some money." Cale's friend and producer, Audie Ashworth, encouraged Cale to record a full album in order to capitalize on the success of his song. I was in my thirties, so I was very happy. Cale recalled to Mojo magazine that when he heard Clapton's version playing on his radio, "I was dirt poor, not making enough to eat and I wasn't a young man. Cale, who was languishing in obscurity at the time, had no knowledge of Clapton's recording of "After Midnight" until it became a radio hit in 1970. In 1966, Cale cut an unsuccessful single for Liberty Records called "Slow Motion", but it was the B-side, "After Midnight", that would have long-term ramifications for Cale's career when Eric Clapton recorded the song and had a Top 20 hit. Cale to avoid confusion with the John Cale in the Velvet Underground. With Johnny Rivers already performing there regularly, club co-owner Elmer Valentine rechristened Cale as J.J. From there Cale moved to California and worked at Leon Russell's home studio as a chief engineer and began performing at places like the Whisky a Go Go. Cale, who was raised in Oklahoma, first tasted success in 1964 when singer Mel McDaniel scored a regional hit with Cale's composition "Lazy Me".
